In his lifetime Ferdinand Hodler was already one of Switzerland’s most re-nowned painters. After he pursued new avenues and turned away from the art that influenced him in his early years, Hodler evolved his own character-istic style that brought him international fame. The exhibition highlights Ho-dler’s simple, clear-cut, and effective theory of parallelism. It is a composi-tional principle that targets the revelation of order and structures inherent in nature. The exhibition is on display from September 14, 2018 until January 13, 2019 at the Kunstmuseum Bern.